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Εμφάνιση αναρτήσεων με ετικέτα greek traditional. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα greek traditional. Εμφάνιση όλων των αναρτήσεων

Τετάρτη 3 Φεβρουαρίου 2016

Inedit Grèce - Épire - Takoutsia, Musiciens de Zagori (1987)


The traditional music of Epirus, northwestern Greece, is essential for any celebration being hosted, weddings, baptisms and village festivals. The clarinet is the emblematic instrument of Epirus. The dramatic expression and craftsmanship by which it is been played, does not leave anyone without being moved. The album was recorded by the French in 1986, and introduces us to the Ensemble Takoutsia of the Zagori village musicians, who come from the Kapsalis family. Today only Gregoris survives, considered one of the greatest masters of the clarinet. On the disc we hear a beautiful miroloï , a long instrumental lement piece from the clarinet, violin and lute as well as dances and table songs.



This cd presents three categories of the traditional music of Epirus: Miroloï lement music, dance music and table songs. The first two categories involve instrumental formations: the Miroloï is performed by a clarinet, a violin and a lute, plus for dance music, a tambourine, which emphasizes the rhythmic structure. For the execution of the table songs, there is the use of a second clarinet, which replaces the first, since in this musical category, the first clarinetist becomes a singer.



As in all the Balkans and much of the Mediterranean, the scales that underlie the melodies of Epirus are of the modal type. In many cases, some of the degrees of these scales are mobile, that is to say moving slightly depending on whether the melody is ascending or descending. Other features: the transition from one mode to another within the same song that has the effect of bringing about a change of atmosphere, sound, and finally the ornamentation - often improvised - which gives a more dense texture to the melody.



In the music of Epirus, the rhythmic action of instrumental music and songs is slower than in the rest of Greece, whether it be a moroloï, or table song or dancing music which are attributed in heavy manner and are always slow moving.


Tracklist:

1. Miroloï, lement music [10:59]
2. Ilios, traditional dance [6:34]
3. Kyra Frossini, table song [3:56]
4. Zagorissio, traditional dance [4:21]
5. Otan anthisoun ta klaria, table song [5:37]
6. Arvanitiko, traditional dance [2:56]



Musicians:
Grigoris Kapsalis, clarinet and vocals
Zacharia Drambalos, clarinet
Spiros Kapsalis, lute
Kosta Kapsalis, violin
Michalis Markopoulos, tambourine
Zulas Kapsalis, tambourine

 
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Σάββατο 13 Αυγούστου 2011

Choir of Vatopedi Fathers - Holy Saturday

Category: Byzantine


Chant Type: Byzantine


Language: Greek



Tracklisting:



1. The Noble Joseph
2. First stasis of the Praises
3. Second stasis of the Praises
4. Third stasis of the Praises
5. Joseph begged Thy holy body
6. First Ode of the Canon
7. Third Ode of the Canon
8. Thy tom, O Saviour
9. Fourth Ode of the Canon
10. Fifth Ode of the Canon
11. Sixth Ode of the Canon
12. Kontakion, Oikos & Synaxarion
13. Seventy Ode of the Canon
14. Eighth Ode of the Canon
15. Ninth Ode of the Canon
16. As the sun hid


As with all Vatopedi recordings, the quality and clarity of the recording is superb. This recording offers the traditional hymns of Holy Saturday, and both a contemporary and ancient setting of Behold the Bridegroom Cometh. The Musical School of the Holy Monastery of Vatopaidi is one of the cradles of Byzantine music. It has endowed the monastery with a history of cantors, a rich library of books and manuscripts, a collection of recordings, and a rich tradition of chant which is continued by the contemporary choir of Vatopedi fathers. This recording of the Holy Saturday Service, sung in the traditional Athonite fashion and recorded live in the monastery is another monument.

Review by Benjamin Williams


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