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Εμφάνιση αναρτήσεων με ετικέτα 1980s. Εμφάνιση όλων των αναρτήσεων
Εμφάνιση αναρτήσεων με ετικέτα 1980s. Εμφάνιση όλων των αναρτήσεων

Τετάρτη 2 Μαρτίου 2016

Kahil El' Zabar's The Ritual : Another Kind Of Groove (1987)




Tracklist

A1 The Opening 5:35
A2 Ocean Deep 8:07
A3 Return Of The Lost Tribe 8:05
B1 Little Gwen 6:44
B2 Pedro 4:35
B3 Another Kind Of Groove 6:39
B4 Freedom Of Speech 6:51

Credits

Notes

Recorded on 22 May 1986 at HGBS Studio.


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Τετάρτη 3 Φεβρουαρίου 2016

Inedit Grèce - Épire - Takoutsia, Musiciens de Zagori (1987)


The traditional music of Epirus, northwestern Greece, is essential for any celebration being hosted, weddings, baptisms and village festivals. The clarinet is the emblematic instrument of Epirus. The dramatic expression and craftsmanship by which it is been played, does not leave anyone without being moved. The album was recorded by the French in 1986, and introduces us to the Ensemble Takoutsia of the Zagori village musicians, who come from the Kapsalis family. Today only Gregoris survives, considered one of the greatest masters of the clarinet. On the disc we hear a beautiful miroloï , a long instrumental lement piece from the clarinet, violin and lute as well as dances and table songs.



This cd presents three categories of the traditional music of Epirus: Miroloï lement music, dance music and table songs. The first two categories involve instrumental formations: the Miroloï is performed by a clarinet, a violin and a lute, plus for dance music, a tambourine, which emphasizes the rhythmic structure. For the execution of the table songs, there is the use of a second clarinet, which replaces the first, since in this musical category, the first clarinetist becomes a singer.



As in all the Balkans and much of the Mediterranean, the scales that underlie the melodies of Epirus are of the modal type. In many cases, some of the degrees of these scales are mobile, that is to say moving slightly depending on whether the melody is ascending or descending. Other features: the transition from one mode to another within the same song that has the effect of bringing about a change of atmosphere, sound, and finally the ornamentation - often improvised - which gives a more dense texture to the melody.



In the music of Epirus, the rhythmic action of instrumental music and songs is slower than in the rest of Greece, whether it be a moroloï, or table song or dancing music which are attributed in heavy manner and are always slow moving.


Tracklist:

1. Miroloï, lement music [10:59]
2. Ilios, traditional dance [6:34]
3. Kyra Frossini, table song [3:56]
4. Zagorissio, traditional dance [4:21]
5. Otan anthisoun ta klaria, table song [5:37]
6. Arvanitiko, traditional dance [2:56]



Musicians:
Grigoris Kapsalis, clarinet and vocals
Zacharia Drambalos, clarinet
Spiros Kapsalis, lute
Kosta Kapsalis, violin
Michalis Markopoulos, tambourine
Zulas Kapsalis, tambourine

 
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Παρασκευή 22 Ιανουαρίου 2016

Griot Galaxy - Kins (1982)


While he did receive some attention in the later years of his career – thanks to some great records on Qbico, an ongoing collaboration with Northwood Improvisers, and appearances with His Name Is Alive – Griot Galaxy founder Faruq Z Bey never really got his dues. It’s a shame, as besides being a gifted saxophonist, he was also a heavy thinker and writer, having published two books of poetry and a book of music theory, Towards A “Ratio”nal Aesthetic. His music remained steadfastly heady throughout his life; he began playing free improv in Detroit with the First African Primal Rhythm Orchestra and subsequently formed Griot Galaxy.
Kins is their debut album, though they’d existed for almost a decade beforehand, and as such it captures a group with a powerful logic on lockdown. From the moment the snare tattoos erupt on ‘Xy-Moch (1)’, Kins advances assuredly, switching between tight compositions and bleary improvisations – ‘Zychron’, perhaps their finest recorded moment, moving between both with equal ease, particularly its seasick coda for lumbering brass and weeping, tragic arco work. There are some weird funk entreaties as well, and an odd predilection for wah-wah bass – someone had to do it.

Jon Dale,factmag


Tracklist:
1. Xy-Moch
2. Zycron
3. Zenolog Aintro
4. Androgeny
5. Kins
6. Xy-Moch Theme

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Ravi Shankar ‎– Jazzmine (1980)

Ultra rare India only release of a session featuring Western Jazz musicians

 
THE ENSEMBLE
George Adams-Tenor Saxophone | Mike Richmond-String Bass | Jagannath Pacherwal-Shehnai
Hari Shankar-Kanjeera | Ganpat Rao Jadav-Folk Drums | B K Warai- Nakara | Deepak Chaudhary-Sitar | Datat Thakar-Flute | Balchandran-Flute | K Narayan-Violin | Surendra Rao-Viloin | Bahadur-Violin | A Bhonsale-Tanpura | A Hariharan-Voice | Ashvini Bhide-Voice | Jagannath Pacherwal-Alto Saxophone | Louis Banks-Key Boards | Velur Ramabhardar-Mridangam | T H Vinayakram-Ghatam | Indra Nath Mukerji-Tabla | Rajnjit Barot-Jazz Drums | P G Parab-Sitar | Balchandran-Flute | Shiv Kumar –Violin | Bablo Chakravarthy-Violin | Prakash Verma-Violin | Deby Chakravorthy-Violin | Ashit Desai-Voce | Saria Bhida-Voice | Rabin Paul –Sound Supervision |

 

 

Tracklist

A1 Prashastri
A2 Raagank
A3 Taalank
B1 Deshank
B2 Mishrank

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Τετάρτη 10 Δεκεμβρίου 2014

Greek Fusion Orchestra & Kyriakos Sfetsas (Κυριάκος Σφέτσας) - Without Boundaries (Χωρίς Σύνορα) [1980]


Kyriakos Sfetsas (Greek: Κυριάκος Σφέτσας; born September 29, 1945) is a Greek composer. His body of work consists of a large number of compositions: symphonic, choral, ballet and theatre music, chamber, electronic, film scores, pieces for solo instruments, pieces in jazz and fusion style, songs in Greek and world poems.

The Greek fusion orchestra was a sextet created in 1976 by members of the ERT's Contemporary Music Orchestra. The group was performing for 30 minutes every week in a live radio broadcast until 1978, when it was broken up as a regular group. However its members were performing occasionally together until 1980 until their definitive break up. Just before this they recorded the now historic LP "without boundaries" for columbia records. The recording was not a success at the time, however it obtained cult status gradually with the years as the only studio recording of the group.
The most dominant members of the group were Kyriakos Sfetsas,as the bandleader and composer and Yanni Theodoridis, as the main soloist.

Tracklist
A1 Dream's Rolling 10:12
A2 Samarina 10:00
B1 Ballad For John 9:05
B2 Papadia 9:47

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